The garden in the exhibition Owlet vision in a blinding time occupies two spatial categories: the physical space inhabited by the garden in the courtyard, as well as the representational space shown in the artworks, where the garden is often a motif for cultural pursuits that are not directly or literally connected to gardening or garden-making.
Since the garden dawns and dies with every season, halfway between the eternal and the immediate, Karen and I thought it’d... Lire la suite